
Justin Chang
Justin Chang is a film critic for the Los Angeles Times and NPR's Fresh Air, and a regular contributor to KPCC's FilmWeek. He previously served as chief film critic and editor of film reviews for Variety.
Chang is the author of FilmCraft: Editing, a book of interviews with seventeen top film editors. He serves as chair of the National Society of Film Critics and secretary of the Los Angeles Film Critics Association.
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Cooper plays the legendary composer and Carey Mulligan is his wife, Felicia Montealegre, in a new drama that exquisitely renders Bernstein's musical brilliance and human flaws.
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Natalie Portman and Julianne Moore star in Todd Haynes' dark and disturbingly funny film about a teacher who was convicted of raping her sixth grade student — and later went on to marry him.
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The mundane becomes mesmerizing in David Fincher's dark comedy, which tracks every detail of a hit man's routine: the scheduled naps, the fast-food runs, the yoga stretches he does to stay limber.
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Paul Giamatti plays a boarding school teacher charged with watching over the students who have no where to go during winter break in a throwback film that doesn't quite live up to its potential.
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A writer stands accused of killing her husband in this film, which won the Palme d'Or at Cannes. But as Anatomy of a Fall persuasively suggests, every marriage is a mystery.
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Kenneth Branaugh is back as Hercule Poirot, and it's hard not to enjoy his company in this unusually spooky murder mystery based on Agatha Christie's 1969 novel Hallowe'en Party.
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Bernal flirts and struts and gives one of the best performances of his career in a film inspired by the life of Mexican American professional wrestling star Saúl Armendáriz.
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Michael Cera plays a man who returns home to see his two sisters after three years apart. This squirmy film about adults who act like overgrown children might just break your heart.
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A narcissistic film director leaves his husband for a woman in Ira Sachs' new drama. But ending a marriage is rarely clean or easy — as this thrilling, tempestuous film proves.
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Two films take on the horror of grief: While Disney's live-action comedy is neither funny nor frightening, the Australian horror-thriller about teenagers dabbling in the occult is terrifically creepy.