Community Calendar

Steps Recovery is hosting the Inaugural Motorcycle show on June 6. The event will be at the corner of Judge Ely and E Hwy 80, 1002 E Hwy 80. Registration will begin at 9 am. This will be a motorcycles only show and all types of motorcycles are being judged. Anything from an Antique bike to an Adventure bike. There is no charge to view the bikes. We will also have raffles and food trucks. This is a family friendly event with no alcohol allowed. Steps Recovery is a Christ centered recovery center which is non-issue specific. We also facilitate classes and worship services at the Robertson and Middleton units. For more information please visit our website at stepsabilene.com

MEL ZIEGLER: Clear Skies offers equal representation of Ziegler’s current solo practice alongside his decade-long creative partnership with artist Kate Ericson. This is the first exhibition juxtaposing Ziegler’s work with work from the Kate Ericson and Mel Ziegler Foundation archive.

As a collaborative duo, Ericson and Ziegler created a substantial body of public projects, site-specific installations, and mixed-media sculptures, all marked by a keen social conscience and understated humor. In 2005, a traveling retrospective exhibition titled America Starts Here, was organized by the Tang Teaching Museum and the Massachusetts Institute of Technology. As described by their respective curators, Bill Arning and Ian Berry, “Ericson and Ziegler redefined public art in a way that was welcoming to a diverse set of communities. Rather than impose a conspicuous work of art upon a site or situation, the artists devised projects that altered sites subtly, using poetic language and their idiosyncratic wit to illuminate mainstream American contexts and highlight individual community issues.”

MEL ZIEGLER: Clear Skies offers equal representation of Ziegler’s current solo practice alongside his decade-long creative partnership with artist Kate Ericson. This is the first exhibition juxtaposing Ziegler’s work with work from the Kate Ericson and Mel Ziegler Foundation archive.

As a collaborative duo, Ericson and Ziegler created a substantial body of public projects, site-specific installations, and mixed-media sculptures, all marked by a keen social conscience and understated humor. In 2005, a traveling retrospective exhibition titled America Starts Here, was organized by the Tang Teaching Museum and the Massachusetts Institute of Technology. As described by their respective curators, Bill Arning and Ian Berry, “Ericson and Ziegler redefined public art in a way that was welcoming to a diverse set of communities. Rather than impose a conspicuous work of art upon a site or situation, the artists devised projects that altered sites subtly, using poetic language and their idiosyncratic wit to illuminate mainstream American contexts and highlight individual community issues.”

MEL ZIEGLER: Clear Skies offers equal representation of Ziegler’s current solo practice alongside his decade-long creative partnership with artist Kate Ericson. This is the first exhibition juxtaposing Ziegler’s work with work from the Kate Ericson and Mel Ziegler Foundation archive.

As a collaborative duo, Ericson and Ziegler created a substantial body of public projects, site-specific installations, and mixed-media sculptures, all marked by a keen social conscience and understated humor. In 2005, a traveling retrospective exhibition titled America Starts Here, was organized by the Tang Teaching Museum and the Massachusetts Institute of Technology. As described by their respective curators, Bill Arning and Ian Berry, “Ericson and Ziegler redefined public art in a way that was welcoming to a diverse set of communities. Rather than impose a conspicuous work of art upon a site or situation, the artists devised projects that altered sites subtly, using poetic language and their idiosyncratic wit to illuminate mainstream American contexts and highlight individual community issues.”

MEL ZIEGLER: Clear Skies offers equal representation of Ziegler’s current solo practice alongside his decade-long creative partnership with artist Kate Ericson. This is the first exhibition juxtaposing Ziegler’s work with work from the Kate Ericson and Mel Ziegler Foundation archive.

As a collaborative duo, Ericson and Ziegler created a substantial body of public projects, site-specific installations, and mixed-media sculptures, all marked by a keen social conscience and understated humor. In 2005, a traveling retrospective exhibition titled America Starts Here, was organized by the Tang Teaching Museum and the Massachusetts Institute of Technology. As described by their respective curators, Bill Arning and Ian Berry, “Ericson and Ziegler redefined public art in a way that was welcoming to a diverse set of communities. Rather than impose a conspicuous work of art upon a site or situation, the artists devised projects that altered sites subtly, using poetic language and their idiosyncratic wit to illuminate mainstream American contexts and highlight individual community issues.”

MEL ZIEGLER: Clear Skies offers equal representation of Ziegler’s current solo practice alongside his decade-long creative partnership with artist Kate Ericson. This is the first exhibition juxtaposing Ziegler’s work with work from the Kate Ericson and Mel Ziegler Foundation archive.

As a collaborative duo, Ericson and Ziegler created a substantial body of public projects, site-specific installations, and mixed-media sculptures, all marked by a keen social conscience and understated humor. In 2005, a traveling retrospective exhibition titled America Starts Here, was organized by the Tang Teaching Museum and the Massachusetts Institute of Technology. As described by their respective curators, Bill Arning and Ian Berry, “Ericson and Ziegler redefined public art in a way that was welcoming to a diverse set of communities. Rather than impose a conspicuous work of art upon a site or situation, the artists devised projects that altered sites subtly, using poetic language and their idiosyncratic wit to illuminate mainstream American contexts and highlight individual community issues.”

MEL ZIEGLER: Clear Skies offers equal representation of Ziegler’s current solo practice alongside his decade-long creative partnership with artist Kate Ericson. This is the first exhibition juxtaposing Ziegler’s work with work from the Kate Ericson and Mel Ziegler Foundation archive.

As a collaborative duo, Ericson and Ziegler created a substantial body of public projects, site-specific installations, and mixed-media sculptures, all marked by a keen social conscience and understated humor. In 2005, a traveling retrospective exhibition titled America Starts Here, was organized by the Tang Teaching Museum and the Massachusetts Institute of Technology. As described by their respective curators, Bill Arning and Ian Berry, “Ericson and Ziegler redefined public art in a way that was welcoming to a diverse set of communities. Rather than impose a conspicuous work of art upon a site or situation, the artists devised projects that altered sites subtly, using poetic language and their idiosyncratic wit to illuminate mainstream American contexts and highlight individual community issues.”

MEL ZIEGLER: Clear Skies offers equal representation of Ziegler’s current solo practice alongside his decade-long creative partnership with artist Kate Ericson. This is the first exhibition juxtaposing Ziegler’s work with work from the Kate Ericson and Mel Ziegler Foundation archive.

As a collaborative duo, Ericson and Ziegler created a substantial body of public projects, site-specific installations, and mixed-media sculptures, all marked by a keen social conscience and understated humor. In 2005, a traveling retrospective exhibition titled America Starts Here, was organized by the Tang Teaching Museum and the Massachusetts Institute of Technology. As described by their respective curators, Bill Arning and Ian Berry, “Ericson and Ziegler redefined public art in a way that was welcoming to a diverse set of communities. Rather than impose a conspicuous work of art upon a site or situation, the artists devised projects that altered sites subtly, using poetic language and their idiosyncratic wit to illuminate mainstream American contexts and highlight individual community issues.”

MEL ZIEGLER: Clear Skies offers equal representation of Ziegler’s current solo practice alongside his decade-long creative partnership with artist Kate Ericson. This is the first exhibition juxtaposing Ziegler’s work with work from the Kate Ericson and Mel Ziegler Foundation archive.

As a collaborative duo, Ericson and Ziegler created a substantial body of public projects, site-specific installations, and mixed-media sculptures, all marked by a keen social conscience and understated humor. In 2005, a traveling retrospective exhibition titled America Starts Here, was organized by the Tang Teaching Museum and the Massachusetts Institute of Technology. As described by their respective curators, Bill Arning and Ian Berry, “Ericson and Ziegler redefined public art in a way that was welcoming to a diverse set of communities. Rather than impose a conspicuous work of art upon a site or situation, the artists devised projects that altered sites subtly, using poetic language and their idiosyncratic wit to illuminate mainstream American contexts and highlight individual community issues.”

MEL ZIEGLER: Clear Skies offers equal representation of Ziegler’s current solo practice alongside his decade-long creative partnership with artist Kate Ericson. This is the first exhibition juxtaposing Ziegler’s work with work from the Kate Ericson and Mel Ziegler Foundation archive.

As a collaborative duo, Ericson and Ziegler created a substantial body of public projects, site-specific installations, and mixed-media sculptures, all marked by a keen social conscience and understated humor. In 2005, a traveling retrospective exhibition titled America Starts Here, was organized by the Tang Teaching Museum and the Massachusetts Institute of Technology. As described by their respective curators, Bill Arning and Ian Berry, “Ericson and Ziegler redefined public art in a way that was welcoming to a diverse set of communities. Rather than impose a conspicuous work of art upon a site or situation, the artists devised projects that altered sites subtly, using poetic language and their idiosyncratic wit to illuminate mainstream American contexts and highlight individual community issues.”