Community Calendar

McKee Frazior treats the internet as physical material—not metaphorically, but structurally. He is interested in the infrastructure beneath the surface: latency, entropy, network protocols, and the ephemera that accumulates through use and neglect. He considers himself a hypermedia artist, which is a real thing he did not make up. His works are rarely static. They adapt to prior interactions and states, making the audience an integral part of the process whether they consented to that or not. His current obsessions include QR codes and the internet as a substrate that decays, forgets, and occasionally apologizes without meaning it. Themes of awkwardness, play, mild anxiety, and systems failing gracefully permeate his output.

Frazior was born in 1979 at Spohn Hospital in Corpus Christi, Texas, and has yet to reach his life expectancy. While working toward that goal, he attended the University of Texas at Austin (BFA 2002) and SMU Guildhall (Graduate Certificate in Interactive Technology in Digital Game Development, 2005), receiving papers from both. He has exhibited himself and others across Texas, never receiving a citation for doing so. He holds an MFA in New Media from Texas Christian University (2025). He exists geographically, mainly in the DFW area, playing with internet infrastructure, QR codes, drawing, software, sound, video, text, interactivity, and the space between wards.

Vivaldi’s The Four Seasons gets a breathtaking reinvention through the passionate lens of Astor Piazzolla, where baroque elegance gives way to Latin fire and rhythm. Charismatic violinist Simon Gollo commands the stage with dazzling precision and irresistible energy in this one-ofa- kind musical collision.

🎵 Carreño Serenade for String Orchestra
🎵 Chávez Symphony No. 5
🎵 Piazzolla The Four Seasons of Buenos Aires

The greatest hits of two iconic decades, brought to life in one unforgettable and electrifying night – Journey, ABBA, The Beatles, Joni Mitchell, Paul Simon, Cher, and more, in a high-energy celebration of nostalgia, classic rock, and pop at its very best.

Deeply lyrical and quietly introspective, Brahms’s Third Symphony opens our Masterworks finale with a beauty that is profoundly moving. Violinist Eunice Keem then steps forward, bringing her dynamic artistry to Barber’s Violin Concerto in a truly breathtaking close to an evening not soon forgotten.

🎵 Brahms Symphony No. 3
🎵 Mozart Don Giovanni Overture
🎵 Barber Violin Concerto

When the curtains rise and the credits roll, magic happens. An extraordinary cast of vocalists shares the stage for show-stopping music from Wicked, A Chorus Line, Godspell, and beyond, in a celebration of some of the greatest songs ever written for stage and screen.